Charles Goodman was a well-known post-WWII American Architect who designed many houses throughout the Washington, D.C. area, primarily in developed neighborhoods. In Alexandria, Virginia however, Goodman designed a property, known as the Pegram Street residence, for renowned journalist Eric Severeid, nestled into a wooded hillside. Despite the charm of its secluded placement, the location presented logistical challenges for design and maintenance.
Since the 1980s, the house had been left in disrepair until a passionate new owner (who also spent a career in journalism) purchased the property with plans to renovate the existing house as well as build a garage and guest suite. The owner's vision prioritized modern functionality while preserving the house's architectural integrity. Due to the steep topography of the site, excavation and retaining walls would be necessary to provide space for these additions and allow for circulation throughout the site.
Sustainable Site
Being in Northern Virginia, with a USDA climate hardiness of zone seven, the site has a microclimate that is particularly challenging due to winter winds that lick the hillside. Ecologically, the adjacent forest is composed of hardwood trees like oak, hickory, and tuliptree, while the undergrowth suffers from an overgrowth of invasive species. The topography of the site was another challenge as the pre-existing design located the pool at the bottom of the hill, nestled into one of the few flat areas on site. While this location worked in terms of a grading plan, it made the poolside landscape difficult to access from the house. Further compounded by encroaching weeds and accumulated leaf litter, this positioning limited the pool's usability.
The redesign sought to transform the site into a versatile and inviting homestead. To accomplish this, the team set programmatic goals for the landscape to establish more areas for outdoor living, a pool closer to the residence, outdoor eating and lounging opportunities, space for a fire element, and greater usability at night through strategically placed dark bronze finished lighting fixtures.
As seen in LASN magazine, February 2025.