MOA Marjorie Park by Norris Design - Photo Credit: Norris Design
Colorado's Museum of Outdoor Arts (MOA) boasts a collection of almost 150 works installed in public places throughout the Denver Metro area. One of the key locations is Marjorie Park in the town of Greenwood Village. Highlights at this site include an elevated boardwalk, a pathway through mature pine trees, a Zen-inspired garden with granite stone monoliths, a central area paved with mosaic stone tiles in an ornate, seven-petaled pattern, and an art walk with sculptures depicting scenes from Lewis Carroll's Alice in Wonderland. The project's Landscape Architect - national landscape architecture firm Norris Design - created a picturesque space for art, culture, and events while conforming to strict drainage and stormwater management requirements.
Along the walkway, various walls serve as backdrops for some of the Alice in Wonderland sculptures (Inset: See Alice and the Cheshire Cat) while buffering the park from surrounding streets. Both seat walls and larger walls are built with cast-in-place concrete, veneered with Siloam stone, and capped with Colorado Buff sandstone. The curved retaining wall also consists of cast-in-place concrete. Interspersed along the path of 4"-deep, gray crusher fines bordered by Colorado Buff strip stone are areas surfaced with Black Granite pavers of various sizes. The custom-fabricated railing (middle, left) was specified by the museum, built with 2 1/2"-square posts and type 316 stainless steel strands.
A total of 26,780 square feet of turf was installed throughout the 2.5-acre site, and more than 2,700 square feet of gravel was specified for the curved pathway and other areas. The custom-fabricated bases and accompanying plaques for the sculptures were requisitioned by the museum.
In the center of the park, a "seven-petal vesica" made of cut mosaic stone tiles is a labyrinth-style sculpture that was formerly featured at Hudson Gardens in Littleton, Colorado, but is now a permanent exhibit at MOA Marjorie Park. This art piece - as well as the concrete pathways, raised boardwalk made of faux wood, and tiered Siloam stone seating - contribute to the curvilinear design focus. Sod comprising a Kentucky Bluegrass and Fescue blend was installed to produce the large swaths of greenspace.
An old retention pond with standing water that posed maintenance and safety concerns was transformed into a wetland with native plantings including Russian Sage (Perovskia atriplicifolia), Yellow Twig Dogwood (Cornus sericea 'Flaviramea'), and Indian Steel Indian Grass (Sorghastrum nutans 'Indian Steel'). The retaining walls create a tiered planter with a board-formed, 1-inch chamfer relief. A refined stormwater runoff drainage system empties into the wetland.
The Lion's Den was specified to have woodland elements such as existing Scotch Pines (Pinus sylvestris) and flowering trees, including Tulip trees (Liriodendron tulipifera) and Autumn Brilliance Serviceberry trees (Amelanchier x grandiflora). The planting bed full of Nearly Wild Rose (Rosa x 'Nearly Wild'), Summer Skies Delphinium (Delphinium Giant Pacific 'Summer Skies'), and Red Valarian (Centranthus ruber) is accompanied by Colorado granite stones. The post light is a preserved, historic Greenwood Village fixture.
The Alice in Wonderland art walk also includes this English garden-inspired area whose "whimsical" nature is illustrated by this temporary art installation with a butterfly/cocoon motif featuring decorative petals. Korean Feather Reed Grass (Calamagrostis brachytricha) was planted in a bed topped with double-shredded cedar mulch and bordered with multicolored crushed gravel for drainage, stability, and decoration. The fencing between wall sections encompasses around 600 linear feet with (inset) quad flare finial double rings.
The Zen garden's granite stone monoliths are part of an installation titled "Silent Resonance" by artist Torval Keller. The monoliths were partially buried to suggest permanence and natural grounding.
Modern Adirondack chairs from Maglin Site Furniture sit on the top step of the circular stairway leading up to the Zen garden. The concrete path is 6-inches thick with a medium sandscape finish and lined with cast bronze, 3000K LED path lights. Behind the chairs are Black Granite paving stones set in a bed of gray crusher fines.
Besides creating a multi-functional park and sculpture garden, the site design had to account for its role in the regional stormwater detention and water quality system, with the capability to minimize the impact of a 100-year flood. After analyzing flood volumes and water elevations, separate areas were designated for the stormwater system, part-time passive and recreational use, as well as permanent passive and recreational use.
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Colorado's Museum of Outdoor Arts (MOA) boasts a collection of almost 150 works installed in public places throughout the Denver Metro area. One of the key locations is Marjorie Park in the town of Greenwood Village. Highlights at this site include an elevated boardwalk, a pathway through mature pine trees, a Zen-inspired garden with granite stone monoliths, a central area paved with mosaic stone tiles in an ornate, seven-petaled pattern, and an art walk with sculptures depicting scenes from Lewis Carroll's Alice in Wonderland. The project's Landscape Architect - national landscape architecture firm Norris Design - created a picturesque space for art, culture, and events while conforming to strict drainage and stormwater management requirements.
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Along the walkway, various walls serve as backdrops for some of the Alice in Wonderland sculptures (Inset: See Alice and the Cheshire Cat) while buffering the park from surrounding streets. Both seat walls and larger walls are built with cast-in-place concrete, veneered with Siloam stone, and capped with Colorado Buff sandstone. The curved retaining wall also consists of cast-in-place concrete. Interspersed along the path of 4"-deep, gray crusher fines bordered by Colorado Buff strip stone are areas surfaced with Black Granite pavers of various sizes. The custom-fabricated railing (middle, left) was specified by the museum, built with 2 1/2"-square posts and type 316 stainless steel strands.
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A total of 26,780 square feet of turf was installed throughout the 2.5-acre site, and more than 2,700 square feet of gravel was specified for the curved pathway and other areas. The custom-fabricated bases and accompanying plaques for the sculptures were requisitioned by the museum.
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In the center of the park, a "seven-petal vesica" made of cut mosaic stone tiles is a labyrinth-style sculpture that was formerly featured at Hudson Gardens in Littleton, Colorado, but is now a permanent exhibit at MOA Marjorie Park. This art piece - as well as the concrete pathways, raised boardwalk made of faux wood, and tiered Siloam stone seating - contribute to the curvilinear design focus. Sod comprising a Kentucky Bluegrass and Fescue blend was installed to produce the large swaths of greenspace.
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An old retention pond with standing water that posed maintenance and safety concerns was transformed into a wetland with native plantings including Russian Sage (Perovskia atriplicifolia), Yellow Twig Dogwood (Cornus sericea 'Flaviramea'), and Indian Steel Indian Grass (Sorghastrum nutans 'Indian Steel'). The retaining walls create a tiered planter with a board-formed, 1-inch chamfer relief. A refined stormwater runoff drainage system empties into the wetland.
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The Lion's Den was specified to have woodland elements such as existing Scotch Pines (Pinus sylvestris) and flowering trees, including Tulip trees (Liriodendron tulipifera) and Autumn Brilliance Serviceberry trees (Amelanchier x grandiflora). The planting bed full of Nearly Wild Rose (Rosa x 'Nearly Wild'), Summer Skies Delphinium (Delphinium Giant Pacific 'Summer Skies'), and Red Valarian (Centranthus ruber) is accompanied by Colorado granite stones. The post light is a preserved, historic Greenwood Village fixture.
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The Alice in Wonderland art walk also includes this English garden-inspired area whose "whimsical" nature is illustrated by this temporary art installation with a butterfly/cocoon motif featuring decorative petals. Korean Feather Reed Grass (Calamagrostis brachytricha) was planted in a bed topped with double-shredded cedar mulch and bordered with multicolored crushed gravel for drainage, stability, and decoration. The fencing between wall sections encompasses around 600 linear feet with (inset) quad flare finial double rings.
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The Zen garden's granite stone monoliths are part of an installation titled "Silent Resonance" by artist Torval Keller. The monoliths were partially buried to suggest permanence and natural grounding.
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Modern Adirondack chairs from Maglin Site Furniture sit on the top step of the circular stairway leading up to the Zen garden. The concrete path is 6-inches thick with a medium sandscape finish and lined with cast bronze, 3000K LED path lights. Behind the chairs are Black Granite paving stones set in a bed of gray crusher fines.
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Besides creating a multi-functional park and sculpture garden, the site design had to account for its role in the regional stormwater detention and water quality system, with the capability to minimize the impact of a 100-year flood. After analyzing flood volumes and water elevations, separate areas were designated for the stormwater system, part-time passive and recreational use, as well as permanent passive and recreational use.
Marjorie Park - a primary venue of the Museum of Outdoor Arts (MOA) in Greenwood Village, Colorado - was created as an exclusive setting for a large portion of museum's diverse, permanent sculpture collection. A recent renovation improved the site as a distinctive cultural experience, performance venue, and gathering space while upgrading the stormwater management system and improving park function through landscape architecture as art. The Denver office of national landscape architecture and planning firm Norris Design was selected for the endeavor. They collaborated closely with the museum, the project's civil engineer S.A Miro, Inc., electrical engineer IMEG, stone masons from Rock and Company, and other subcontractors to develop the primary vision and final concept for the park. Local drainage and stormwater control requirements mandated that the site function as part of a regional system capable of handling 100-year flood elevations.
The Canvas Situated in the heart of the Greenwood Village Business Development and just east of the Fiddler's Green Amphitheatre, the existing park consisted primarily of a bluegrass lawn, various sculptures, and a retention pond with permanent standing water, which caused maintenance and safety concerns. The pond once occupied a majority of the site but had deteriorated from years of being inundated with runoff from the drainage basin of the adjacent business development that consisted of pavement and manicured turf. These diminishing conditions produced water quality issues and sediment accumulation in the pond. The prevailing site also had steep slopes leading down to the pond, which was surrounded by a wrought iron safety fence that regularly collected refuse and had become a nuisance for the park.
Stormwater Management Careful analysis of flood volumes and water elevations was necessary to identify which portions of the park could be dedicated to stormwater detention and which areas could serve for part-time or permanent passive and recreational use. With these parameters identified, incremental design options began to take shape through a collaborative effort between the owner, engineers, and Landscape Architects, who used 3D renderings and imagery extensively to present detailed concepts to the client and project team throughout the planning phase.
Norris Design and the civil engineer worked closely with the drainage district engineers to come to an agreement on the specific mechanics of the proposed pond redesign and the necessary methods of calculation to determine the minimum pond volume. All options balanced the requirements of storm events with the owner's vision to create a multi-functional sculpture garden and park setting. Embracing the regulatory requirements, the design team opted to convert the stormwater detention zone into an amenity rather than an unusable space. Instead of one large retention pond, the area was integrated with sculptures, Siloam stone from Colorado's Front Range, and a diverse selection of native plants.
In the end, an underperforming portion of an urban drainage system was replaced with a high-functioning, vegetated detention basin that takes an ecological and educational approach to stormwater management, runoff, and water quality strategies. Furthermore, the space is useable and aesthetically pleasing: progressing from an area of little interest and high maintenance to a design element that enhances its surroundings. Visitors can better understand and interact with the dynamics of stormwater and how it is filtered onsite using the forebay, bioswales, and areas planted with native grasses and rain garden plant species that can accommodate periodic deluges and cleanse the water before it leaves the park.
Other Key Elements The Landscape Architects facilitated numerous programmatic elements within the park and its meandering trails. These include an entry plaza with café tables and seat-walls, open-lawn areas, a looped art walk with Alice in Wonderland sculpture scenes, a seven-petaled vesica made of mosaic stone tiles, a Zen-inspired garden with large granite monoliths, and The Lion's Den - a wooded path through mature pine trees displaying several lion sculptures. A variety of seating and overlook spaces orient users towards a central boardwalk stage area.
Botanical Approach The park's planting schemes were categorized into four distinct-yet-cohesive typologies: low-water-use-ornamental, native, whimsical, and woodland. The two plazas and main walk exhibit a low-water-use ornamental style. The detention basin and boardwalk provide native elements that reflect regional ecology and enhance seasonal interest. A whimsical, English Garden-inspired palette accompanies the Alice in Wonderland sculpture collection, and The Lion's Den consists of woodland components that frame views into the rest of the park for users accessing the amphitheater entrance. Constructive measures to prevent soil erosion were part of the planning, thereby improving the park's environmental conditions.
Appreciating Amenities The park is designed to host a variety of outdoor activities and experiences. For example, small, intimate seating opportunities offer interaction with the sculptures. Café tables, seat-walls, and benches are the perfect place for lunch or work breaks for employees in the adjacent offices. Larger gatherings, musical performances, and community events of various scales can use the series of multi-use lawns and terraces graded into the gently sloped park. Pathway lighting ensures that the park maintains visual and experiential interest after dark while supporting patrons exiting the venue. In addition to upgrading the park's sustainability and visual appearance, improvements were made to accessibility, such as the folly bridge that extends over the retention pond towards the central portion of the park.
Marjorie Park accommodates art programming functions such as tours, arts education, temporary art installations, and community arts events as well as rentals for private and corporate events. The park also serves as the VIP entrance and amenity area for concerts at the neighboring Fiddler's Green Amphitheater. Overall, the park provides a beautiful respite spot amid the surrounding urban framework.
In Closing The renovation of Marjorie Park at the Museum of Outdoor Arts enhances the site's aesthetic vitality while maintaining its core identity as an open-air museum and performance space. With its focus on landscape architecture as art, its abundance of sculptured works, and its sustainable approaches to stormwater management, Marjorie Park represents a rich convergence of culture, ecology and the owner's mission to "make art a part of everyday life."